A Letter to My Imaginary Friend
Inglés Técnico
Correspondence from
Rosa Peña to Ron Koster
(2004–11–08)
Also in this section:
Main Page
2003–08–13
2003–08–14 (reply)
2004–11–08
2004–11–08 (reply)
2005–09–09
2005–09–09 (reply)
2005–09–15
Inglés Técnico I (PDF)
Note: This e-mail included an attachment in MSWord® format which I was unable to open without losing much of the formatting (I used WordPerfect® at that time). Despite this loss in formatting, in reviewing the attachment I realized that they had chosen to use an excerpt from my A Letter to an Imaginary Friend (as it was originally named), rather than from The Legend of Koster.
Date: Mon, 8 Nov 2004 08:41:16 -0600 (CST)
From: rosa pena <[email address withheld]>
Subject: Rosa Irene Peña about the book inglés técnico 1 copyright authorization
To: [email address withheld], [email address withheld]
Cuernavaca, Morelos a 6 de Noviembre del 2004
Psymon
Ron Koster:
Dear Sir:
We are in contact with you once again.
The book Inglés Técnico 1 has not been yet published.
We received the editor corrections and on the part that corresponds to the theme connectors we are suggesting the use of another part of your written.
It is in the added file.
Once again we would greatly appreciate you sending us the authorization to use it.
Maybe this book will be published on next 2005 summer, if the education programs don’t change more (as they did this year and that’s why it has not been published), and the saint of the bureaucracy wants to make us the miracle and the international bank doesn’t change its rules.
We haven’t forgot that you wanted a copy and, if it is published, where do we send the copy?
We would be very grateful for all the help you can give us in this matter.
Respectfully
Moisés Heriberto Córtes Cruz
Poet, Writer
[email address withheld]
M.P.D. Rosa Irene Peña Angón
Teacher
[email address withheld]
[street address withheld]
Cuernavaca, Morelos,
México
Tel [telephone withheld]
Attachment: Texto2[1].1Identificacionyfunciondelosconectores22.doc
Correspondence reproduced with permission
from Rosa Peña
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